The 19th century witnessed the special attention of the artists to the inner world of a man. Since then strong personalities among whom are travelers with their taste for adventures, actors with their gift for transformation, those who in love with their ability to sacrifice themselves to each other have been in the focus of attention of the artists of various generations.
In this pucture the clown and his dolls seem to have reversed their roles. The puppets live their lives and the puppeteer becomes a part of the settings. His face is calm and reveals no emotions as if he is not the performance creator but only its happenstance participant.